#BROADCAST BERBERIAN SOUND STUDIO RAR MOVIE#

Most of it is remarkably soft, full of whispery flutes, organs that teeter between sacred and sacrilegious, and melodies that nod to medieval music as well as the '70s. Berberian Sound Studio recalls Broadcast & the Focus Group Investigate Witch Cults of the Radio Age in its brief, brilliant pieces, though the score is more restrained. Just as Strickland reinterprets Argento and other giallo masters, James Cargill and Trish Keenan take inspiration from Ennio Morricone and the other composers and engineers who shaped the feel of those films on a subtler, but arguably more lingering, level than their Grand Guignol visuals.

'Monica's Fall,' which layers breaking glass, a blood-curdling scream, a screeching synth, and a sickening splat, needs no visuals to horrify, while the field recordings of laughing girls and chirping birds on 'Such Tender Things' take on a deeper voyeuristic cast. Similarly, Broadcast's music provides a vivid backdrop not just to The Equestrian Vortex, but Gilderoy's response to his part in crafting it. The film in question, The Equestrian Vortex, is never shown, leaving audiences to envision its horrors as Gilderoy stabs watermelons, rips vegetables, and sizzles cooking oil to obtain the perfect terrifying sound.

#BROADCAST BERBERIAN SOUND STUDIO RAR MOVIE#

And since sound design - particularly the BBC Radiophonic Workshop's groundbreaking work - also played a significant part in their music, it's even more apt that they scored Peter Strickland's Berberian Sound Studio, a film about Gilderoy, a hapless English sound engineer working on an Italian horror movie in 1976. Considering the influence cult films and their music had on Broadcast, it's fitting that the band wrote a score of their own.

Broadcast berberian sound studio rar